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9 TH ANNUAL
MAY 11-17
2015

Little Rock Film Festival Announces 2015 Lineup

The Little Rock Film Festival enters its ninth year showcasing movies from across America and around the world while bolstering its reputation as a top-tier festival destination in the South. This year’s event will also include more Arkansas-made films than ever before. Read the official press...
Q&A with “Life After Death” director Joe Callander

Q&A with “Life After Death” director Joe Callander

Director Joe Callander brings his acclaimed documentary Life After Death to the Little Rock Film Festival this weekend. The film follows the lives of two young men in post-genocide Rwanda. I asked him a few questions about Life After Death, which plays Saturday at 3:15pm and Sunday at 3:30pm at the Clinton School of Public Service. What is a one-sentence synopsis of Life After Death? Joe Callander: Kwasa and his sidekick Fils pick up odd jobs, listen to 2pac on a mobile phone, and work on their Kung-fu skills, twenty years after a genocide. What drew you to this story and why was it important to you to make this film? JC: I was in Rwanda doing some filming for a company called Saddleback Leather when I met Kwasa. He is an outrageous, hilarious and outgoing character, which was rare in the people I met over there. I was drawn to him and his best friend Fils immediately and I became obsessed with telling a kind of story I hadn’t seen come out of Rwanda before…a present day portrait about how things are now for the generation of people in their early 20’s that were born into the most horrific event of a generation. What was your biggest challenge in making it? JC: Central Africa is not an accommodating place to make a film in general. The power is unreliable, especially in rainy season. And I was in a situation where I was essentially working alone. I ran the camera and the sound by myself. Sometimes I would run a two camera setup and sound by myself. It was a...
Q&A with “Manakamana” director Pacho Velez

Q&A with “Manakamana” director Pacho Velez

I caught up with Pacho Velez, who co-directed the much talked-about film Manakamana with Stephanie Spray. Watch the film on the big screen at LRFF2014 Friday at 8:30pm and Saturday at 12:15pm, at the Historic Arkansas Museum. What is Manakamana about? Pacho Velez: Manakamana is a film about pilgrims making a journey to visit the temple of the goddess Manakamana in Nepal. What makes this journey unique is that it’s done by cable car. For hundreds of years, you spent a day walking up the mountain to visit the temple, but the last 15 years you’ve just ridden in the cable car. The film looks at that journey and more broadly the effect of this technological intervention on traditional religious practice in Nepal. But then it does other things too. The film consists of uncut shots of journeys in the cable car. Why did you decide to make this film with that structure? PV: We knew from the start we wanted to shoot whole rides, because it just seemed like a nice way to get to know people. One of the challenges when you’re making films is how do you introduce characters? How do you spend time with a person? Are you constantly cutting from one scene to another with them? How do you learn about a person? Do you learn more about a person if you see them do ten very quick actions or one very long one? So these were some of the thoughts we were having. Why not try something different? Why not just have them be extended periods with each character? And in terms of the order...
Q&A with “Man Shot Dead” director Taylor Feltner

Q&A with “Man Shot Dead” director Taylor Feltner

Man Shot Dead is an intimate portrait of a family living with the legacy of an unexplained murder. Deftly weaving archival imagery with revealing interviews, the film is at once a search for answers and a timely perspective on the cataclysmic, long-lasting effects of gun violence decades after the fact. Tell me a little bit about “Man Shot Dead” Taylor Feltner: Man Shot Dead focuses on my grandfather’s homicide in the 60’s. The film is equal parts investigative but also reflective of the family after that. It’s been 40 years since then and how are they still dealing with it. And how is it still rippling through the family. What part of Arkansas are you from? TF: I’m originally from Russelville, I grew up there. Where was the film made? TF: My family live in Morrilton, my grandmother and my two aunts still live in Morrilton.  We shot a lot there, but we also shot up in Fayetteville, because that is where my mom and dad live. How did you come to this story? It doesn’t seem like a story that would be freely talked about. TF: No, exactly, I mean as kids we knew our granddad had died and that he had been shot, and that was it. I think that’s largely because you’re little kids.  You’re not going to get into this deep story about it. Then as you get older you start to ask a few more questions, and then I got around to asking my brothers, “well, what do you remember?” I wouldn’t go so far as to say we made up the stories, but...